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And Liebes Ich / Dear Me (Director / Screenplay: Luise Makarov, Cinematography: Luise Makarov, Production: Jonas Rothlaender) is in the running for the Documentary Film Prize, which is endowed with 12,000 Euro prize money.The award ceremony for the 18th FIRST STEPS Awards will be held on Monday, 18th.Unsere Filme starten auch im neuen Jahr wieder durch: International Film Festival Rotterdam - IFFRELLA UND NELL (R: Aline Chukwuedo, B: Sabina Gröner/Aline Chukwuedo, K: Sebastian Lempe, P: Ibrahim-Utku Erdogan) feiert seine Weltpremiere in der Bright Future Competition des Festivals.
In addition, DFFB alumnus Michal Grabowski was awarded the Michael Ballhaus Prize for his cinematography. DFFB degree films have received seven nominations for this year’s First Steps Awards.
It is organised by Medienboard Berlin-Brandenburg and the Medienanstalt Berlin-Brandenburg on behalf of the federal states of Berlin und Brandenburg.
Running from 8th-10th May 2017, it is being held for the fourth time in cooperation with re:publica at STATION Berlin. TALe on Media Convention DFFB films notched up a proud total of six prizes last night at the 13th achtung berlin - new berlin film award ceremony in Babylon Kino, Berlin.
The award ceremony will be held on 20th October at Hamburger Bahnhof in Berlin under the aegis of the National Gallery Prize.
Initiated in 2011 and awarded every two years by the Friends of the National Gallery Association and the GERMAN FILM ACADEMY, the prize aims to draw new audiences to works of film art and to focus attention on interactions between the asethetics of art and of film. Source: Deutsche Filmakademie LOMO – The Language of Many Others (Director: Julia Langhof, Screenplay: Thomas Gerhold, Julia Langhof, Cinematography: Michal Grabowski, Production: Eva Kemme, Martin Heisler) won two prizes last night at the FIRST STEPS AWARD 2017.
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Internationale Filmfestspiele Berlin Kineski zid/Great Wall of China (R/B: Aleksandra Odić, K: Katharina Diessner, P: Natasa Janković, Aleksandra Odić) wird in der Perspektive Deutsches Kino Deutschlandpremiere feiern. Seven years after Dominik Graf’s milestone IM ANGESICHT DES VERBRECHENS / IN THE FACE OF CRIME (2010), a new generation of German serial-makers is now at work, largely, albeit with a few exceptions, taking American role models and standards as their point of reference.